Monday Sessions at Bar None: The Observatory, Zircon Govt Pawn Stars and Stoned Revivals
After exhausting my list of people who I can call to watch last night's gig, I managed to get
Chee Ken out to attend the gig together. To be honest, I think I've never seen a gig this good for ages man. Then again, I'm rather suaku as well.
The Observatory came up at 920pm and proceeded with a cover or something like that as frontman,
Leslie Low was mumbling. Their music seemed to be an amalgram of slow electronic beats, fused with acoustic strumming and weird electric guitar sounds and smoothened out by synthesizers. It was rather mopey and dirgey most of the time. Well, I did like the electronic beats quite a bit. However, keyboardist
Vivian Wang (A H.A.I.R. in her own right) was trudging through the whole set, ripping away too many appreggios and overcluttering the music in general. Then again, I could be biased against keyboardists or there were way too many guitars in the band (count 'em: 3). I wasn't that disappointed but I wasn't overtly impressed. Their mix of folk, electronica and bossa rhythms were intriguing, warranting a closer inspection.
After a 20 minutes break,
Chris Ho aka
X'Ho's reformed band,
Zircon Govt. Pawn Stars made their debut live performance. I was floored man. It was really amazing, I would say. Partially, you would think folks in their mid 30's and 40's to be more sedated and acting their age. But no,
X'Ho and his cohorts,
Yeow (guitar and sequencing) and
Suzanne Walker aka
Sue Sue Law who had her low cut bra straddling outta her carefully mis-worn camisole top were rockin' the stage like 17 year old punks. Basically,
X'Ho and
Sue Sue Law were trying to out-diva each other with sexually suggestive moves and jumping around like it's a
Linkin Park concert.
Apparently, like what
X'Ho had said before, he is very inspired by
Chicks On Speed. I think it shows in the set with raging electroklash anthems that would rawk any floors in clubs and sounding like
Depeche Mode to boot. They added a portion of
Iggy Pop and the Stooges' "I Wanna Be Your Dog" to one of their songs which
X'Ho was warbling something in Thai. Highly effective. They ended their brief set with a
Peaches cover which featured
Iggy Pop (again!), "Kick It". That was when I was rather disappointed with
X'Ho who sang
Pop's parts when he self-censored the lyrics to the cover. He has championed like free speech and the absurdity of censorship and said how Singaporeans practise way too much self-censorship. Could it be a subtle in-joke of sorts or when you fight monsters, you might become one yourself eventually. I dunno man.
Coming onstage at around 12am was the
Stoned Revivals who were rather inactive in the recent years. Being a huge fan of their work, I was eagerly anticipating their set. I'd always loved their Stevie Wonder-Barry White-funk-disco-psychedelic vibes. They din disappoint and started the set with 2 new tunes, played on an authentic Fender Rhodes by the band multi-instrumentalist,
Syed. During the second song, singer
Esam beckoned their ex-guitarist,
Muneer who was in the crowd to come up on stage for a jam. It was really great to see him play with the band again. In any case, they seemed to have taken a step backward to their indie roots, washing their last few songs with the occasional bursts of metallic sheets of feedback.
It was a great and thoroughly enjoyable night. It might have been better if I were up there playing as well... Ha!